scumbelievable

500

Some of you may know this already, but when I started this Patreon I was dirt poor and had just barely scrabbled my way out of stealing to eat and digging change out of the couch to pay rent. I spent a decade of my life regularly unable to afford ...

In the Flesh: Raised by Wolves

Raised by Wolves is deeply strange by the visual and thematic standards of American science fiction. It feels much more akin to something like The Prisoner, spare and arresting, its human drama both direct and primor...

You Love to See It: Downfall

“Show the man inside the monster” is, as Hitler-focused art and scholarship goes, about as prosaic as it gets. A little sentimental music can make you feel sympathy for a rock with a face on it, so conjuring up a few tears for lit...

You Love to See It: Dredd

When movies employ slow-motion shots, the point is almost always to emphasize how cool something is within the context of an action scene. The Matrix’s influential “bullet time” and its slow pans around martial artists ...

You Love to See It: Vision

Vision, horror cartoonist Julia Gfrörer’s third and latest graphic novel, is a once-in-a-decade piece of art, a pitch-black story of domestic suffocation set at the end of New York’s Gilded Age. Eleanor, a not-quite-widowed spinster ...

You Love to See It: Princess Mononoke

“Life is suffering,” the leper Osa husks from within his caul of soiled bandages. “It is hard. The world is cursed, but still you find reasons to go on living.” On his deathbed, his body rotting, this quiet man finds words of ...

You Love to See It: Mulholland Drive

Two women writhe and gasp in a coolly modern bed made up with the kind of crisp linen sheets and dark comforter ubiquitous in the late 90s and early 00s. Like all of Lynch’s love scenes it has a florid, almost soapy quality to it, t...

Fuck Moral Art

In Melanie Tem’s under-read werewolf classic Wilding, a brutalized and neglected young woman named Deborah struggles to find the strength to abandon her newborn child. In James Joyce’s Ulysses, banned for obscenity for many y...

You Love to See It: Seven Samurai

In a raging river, the self-declared samurai Kikuchiyo (Toshiro Mifune) holds a child to his armored breast as he flees downstream from a burning mill. Then, slowly, the shock of adrenaline fades. Kikuchiyo freezes. “This baby... is 2020-08-03 16:23:55 +0000 UTC View Post

Skin/Bone

You dream of completion behind acid-etched glass, the water cloudy with disintegrating matter shed during your rehab. Something went wrong when you were Iterated back from Muscida. You've been floating here ever since while smeared faces and muffl...

You Love to See It: Hagazussa

The rape scene which marks the beginning of Hagazussa’s final act takes place both on and offscreen, the goatherd Albrun’s body below the neck and the man violating her both excluded from the suffocating close-up on her face and the f...

You Love to See It: Come and See

Elem Klimov’s Come and See ends with a grief-stricken and traumatized Belarusian boy, Flyora, shooting at a picture of Adolf Hitler he finds lying in a puddle. The scene is intercut and overlapped with footage — both real...

In the Flesh: The Skin I Live In

The Skin I Live In is a horny, nasty two-hour soap opera of hidden parentage and surgical forced feminization larded with Spanish director Pedro Almodóvar’s signature twists, reversals, and protracted hostage situations. Where Georges ...

In the Flesh: Jennifer's Body

A stylized, vision-driven mess is always preferable to competently made factory shlock, and no matter the failings of its hokey CGI and Diablo Cody’s limp and convoluted screenplay, Jennifer’s Body still has something genuine flickeri...

You Love to See It: Showgirls

There’s nothing quite like Elizabeth Berkley’s performance as Nomi Malone, a human tsunami of desire, anger, mental illness, and almost primal stubborn independence. As the heroine of Paul Verhoeven and Joe Eszterhas’s cult clas...

A Town Full of Babies: Queer Life and Children's Media

Image taken from Strange Suspense Stories #60, artist Jack Kirby, pub. Fawcett Comics, August 1962

Over the past two decades, “adult who consumes primarily children’s media” has gone from a reviled fringe...

In the Flesh: Stalker

Three men stand on the threshold of a place of power, a place where by the manifestation of inner desire the nature of the self is irrevocably exposed. One fears that to enter would mean facing his own venal nature. Another uses the s...

You Love to See It: No Country for Old Men

“The coin don’t have no say,” the widow Carla Jean Moss explains to the hit man Anton Chigurgh. “It’s just you.” Coming as it does at the end of a film concerned primarily with the primate ingenuity and mythologized moral codes of viol...

In the Flesh: Sonic the Hedgehog

I walked in on our houseguest (long, irritating story) watching Sonic the Hedgehog earlier this evening and decided to stay for the last forty-five minutes, so now you all get to suffer with me through this incomplete review. First and fo...

Sales Tax

Hey gang, starting June 1st Patreon is going to be charging sales tax on pledges. If you could go to your pledge settings and adjust for taxation (it’ll walk you through it) before the 1st, I would so appreciate it, though I understand if you ne...

You Love to See It: Wake in Fright

At first it seems as though Wake in Fright, Ted Kotcheff’s 1971 thriller about an English schoolteacher stranded by bad luck and dumb decisions in a desolate mining town, will be a familiar kind of story. A small town with a sinister se...

You Love to See It: In the Mood for Love

Wong Kar-wai’s In the Mood for Love is a film composed almost entirely of minutiae. It has no dramatic set pieces, no driving plot. It’s a movie about the formation of an emotional state and the slow, quiet failure of tha...

You Love to See It: Tampopo

A young man reaches around his lover, cracks an egg on the edge of a bowl, and deposits the yolk in his mouth. He holds it on his tongue as he passes it to her with a kiss, the golden membrane slithering over the irregular surfaces of their teeth ...

You Love to See It: Madeline's Madeline

For most of the runtime of Madeline’s Madeline, the titular character’s (Helena Howard) life is a shuttlecock swatted back and forth between her mother Regina (Miranda July) and the director of her experimental theater troupe, Evangel...

You Love to See It: Men In Black

Vincent D’Onofrio’s grotesquely oddball turn as a gigantic extraterrestrial cockroach wearing the hollowed out and rotting skin of an asshole farmer and abusive husband is perhaps the most memorable aspect of Men In Black, 2020-05-23 00:07:17 +0000 UTC View Post